Voice-over:
We
use the warning slide at the start, to outline the focus on blood
sport throughout the footage. This is one of the conventions used in
many documentaries which contain violence, abusive language,
delicate subjects and included scenes of inappropriate activity for
young audiences.
We
felt that, by using the panning-master shot, we created the rural
atmosphere, along with allowing the audience to view the surrounding
area.
The
same fade technique was used to create the professional look. This
also serves two purposes. The first is to create the flow between the
scenes and the second is to subtly cut scenes without drawing to much
attention to the technique used.
By
using a hand-held camera, we were able to get a good shot of the bird
falling to the floor after being shot. This simple cut brings a
divergence from the shooting, so not to bore the audience.
We
mostly followed Jim, at the start. The reason for this is because
there was more potential of a good series of shots from loading the
gun and waiting, to the actual shooting of the birds.
We
felt the position for the series of ‘Jim shoots’ was appropriate
because we got the trees, open space, and the gunman with his
equipment. The open space is a good thing to have because this is
where the birds take flight after being driven out by the beaters.
The
closer shots of Jim were done to get more of a feel of the aiming and
the shooting. This lets the audience see the impact the gun has on
the person holding it when it is fired. It also allows the viewers to
see the gunman aiming for the bird as it flies through the frame.
The
second cut to the failing bird was better, we felt, because it seems
to have more contact with Jim’s gun, rather than it being from
anyone’s firing range.
The
interview in the mid-point of the footage was used as a double voice
over. This aspect is a convention, however not in all documentaries.
For example, in the documentary, “Traffic Cops”, there is a
similar style of interview, were there is dialogue over footage of
past events. During the research stage, we took a liking to this
idea, and decided to add it in to our own work.
The
tilt acts as an establishing shot to give an idea of the different
drives, as opposed to staying in one place.
The
last drive reveals more shots of birds falling than all the other
drives. These shots lead to the dogs retrieving them and taking them
back to their handlers. This is a previously not as seen because we
wanted to focus the shooters more and the beaters interview.
To
finish the documentary off, we decided to film the Gamekeeper
speaking to the follow workers, allowing them to take home a brace of
birds, as a ‘thanks’ for their help.
We
used the close up of the birds because it shows the audience the
velocity of game. This panning shot also shows the audience what
happens to the birds after they have been shot.
The
last question of the interview was placed just before the end credits
to round the documentary to a close. We felt this is a simple, yet
effective way of ending the program. The joke of “It certainly
wouldn’t be jogging” creates a lighter tone in the interview. The
ending credits were simplistic, to keep in with the style of the
documentary as a whole. The accompanying music, we thought, creates
a relaxed and reflective mood for the audience on what they have
seen.
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